Photographer Nick Stern’s real-life recreations of Banksy’s Graffiti Art.
Photographer Nick Stern’s real-life recreations of Banksy’s Graffiti Art.
Ai Weiwei and Herzog & de Meuron’s Submerged Serpentine Gallery Pavilion.
(Source: artlog.com)
Anish Kapoor’s Olympic Orbit.
Who needs blankets when you can use books to make forts, towers, igloos, etc.
Pablo Garcia’s Machine Drawing Drawing Machine
(Source: artinfo.com)
Above’s “Diamond’s are a Woman’s Best Friend and a Man’s Worst Enemy.”
Marco Casagrande’s Sandstorm for Beaufort 04 in Belgium. “Designing is not sufficient. Design should not replace reality. The building must grow out of the location; it must react to its environment, it must be a reflection of life and also be itself, as every other living being. Architectural control goes against nature and thus also against architecture. The built human environment is a mediator between human nature and nature itself. To be part of this, man must be weak.”
Come to Caine’s Arcade! On my To Do List when I visit home next month.
(Source: vimeo.com)
![Designer Helen Friel explains, “[Edgar Allan Poes’] ‘The Imp of the Perverse’ discusses the voice inside all of us that makes us to do things we know we shouldn’t do. Each page is perforated in a grid system with sections of the text missing. Readers must follow the simple instructions to tear and fold specific sections to reveal the missing text. Books are usually precious objects and the destruction is engineered to give the reader conflicting feelings, do they keep the book in it’s perfect untorn form? Or give into the imp and enjoy tearing it apart?”](http://25.media.tumblr.com/tumblr_m24hvxKE1r1qblwrqo1_500.jpg)
Designer Helen Friel explains, “[Edgar Allan Poes’] ‘The Imp of the Perverse’ discusses the voice inside all of us that makes us to do things we know we shouldn’t do. Each page is perforated in a grid system with sections of the text missing. Readers must follow the simple instructions to tear and fold specific sections to reveal the missing text. Books are usually precious objects and the destruction is engineered to give the reader conflicting feelings, do they keep the book in it’s perfect untorn form? Or give into the imp and enjoy tearing it apart?”
JR and Liu Bolin collaborate on Elizabeth Street in NYC
